It’s impossible to criticize Sharknado Two: The Second One,
a film designed to be cheesy and stupid.
The Asylum has taken manufactured camp to a new level, making this
series as outrageous as possible, with an utter disregard for crafting anything
resembling a good film. It’s the
basic idea of a film so bad it’s good, except the film is intended to
be bad, unlike a filmmaker intending to make a good movie while falling short
of the mark due to budget constraints or, perhaps, talent.
Yes, I’m saying The Asylum could produce (or at least
attempt to produce) decent genre films.
But the studio has found a niche with cheesy giant monster films and,
like great B-movie makers of the past, are happy to deliver what the audience
wants to see.
Which, is basically, sharks attacking us on land,
and the cool ways we can kill them.
Okay, let’s get into the meager plot out of the way. Our heroes from the first film, Fin
(Ian Zering) and his ex-wife Apri (Tara Reed), are flying into New York for a
reunion with Fin’s sister Ellen (Kari Wuher) and her husband Martin Brody (Mark
McGrath).
Oh yes, we have more Jaws
references coming, but the film isn’t above lifting elements from other sources. As their flight descends into the Big
Apple, Fin starts having a Twilight Zone moment, as he sees sharks on the wing
of the plane. Of course, no one
else sees them, including an air marshal on the flight, but soon the plane is
invaded by flying sharks that decapitate a number of passengers. Yes, let’s be honest, these sharks are
propelled by the sharknado into the plane, and just keep coasting through the
plane until they reach the rear exit. Or just pile up in the coach seats, it's never made clear in the film. Nor does it need to be.
And this wins my vote of cameo role of the night.
Guess he picked the wrong week to stop sniffing glue.
As the sharks take care of the pilots, Fin has to land the
plane during the storm. Meanwhile,
April is hanging out the blown out door of the plane and has her hand bitten
off by a one eyed shark that she later claims had vengeance on its mind (Jaws: The Revenge, anyone?). Yeah, the sequences is preposterous,
but this is a movie involving sharks surviving out of the water while in a
freak weather pattern, so just let it go.
Yes, as explained by Today Show hosts Al Rocker and Matt
Lauder, New York City is about to be hit by a massive cold and hot weather
front, resulting in TWO sharknados about to merge into an apocalyptic shark
storm. And, as the only expert on
dealing with sharknados, Fin has to save the city and rekindle his relationship
with April.
Add in Fin’s high school sweetheart (Vivica A. Fox), a
helpful cabbie (Judd Hirsch), an oversized chainsaw (of course), flaming sharks
(yep, you read that right) and April turning up in the final act with a
circular saw attached to her stump, and you have the recipe for a really cheesy
fun time.
Good luck finding a bigger chainsaw for the sequel,
scheduled for next year.
A lot of people criticizing films from The Asylum as being
manufactured camp, which can’t be denied.
But it also doesn’t matter.
The filmmakers do not waste any time, diving headfirst into the insane
action. We get the requisite
character moments during breaks in the action, but the film keeps throwing
sharks at our heroes at a frantic pace, but not in an attempt to mask the
film’s stupidity. Instead, the
filmmakers keep piling on the outrageous moments without concern for any sense of
realism. It all culminates with
the moment where our heroes are cornered in a stairway, with shark infested
flood waters below, and flaming sharks flopping at them from above. Yep, flaming sharks. This film goes there.
Oh, wait, the insanity doesn’t culminate with that
scene. We still have the Live and
Let Die shark jump moment, and the final descent into full blown craziness, as Fin
managing to bronco ride a giant shark onto an areal antenna to keep from
falling to his doom.
No, I'm not kidding.
The filmmakers went there.
If you haven’t notice by now, Sharknado Two is gloriously
ridiculous and has no qualms embracing its stupidity. In fact, the film dares the audience to level any criticism
against it, because the instant
you try, the film delivers another scene that just makes any rational
discussion about the film moot.
The premiere was a ratings boon for Syfy, as they beat most
broadcast stations in the ratings, and Sharknado Two was the major event on most social
media. And, to be honest, the
ratings might be a bit low, as Neilson only shows how many households were
tuned it. It doesn’t reflect how many
people were watching in that household, or how many were watching in other
venues.
Like this group. Man, what a great time!
Thanks everyone. for showing up!!
I’m sure some are wonder why this series is so
popular, and I have a couple of ideas that might explain the reasons so
many people are tuning into such films.
First, the current state of the country, and the world, is
pretty depressing. War, economic
uncertainty, the threat of terrorist attack (real or overhyped) hangs over our
heads on a daily basis, broadcasted by 24 hour news stations more concerned
with ratings than an actual analysis of current events. As horror films proliferated, and
reflected, the anxieties of the times, the success of the Sharknado series is a
release from the stresses of modern life.
No, it’s not a reflection of societal fears as, say, The Invasion of the
Body Snatchers was a reflection of Communism/McCarthyism during the 50s. The modern world is much too complicated for one movie to be a statement of what scares us. But it is a release valve of sorts,
something in which people can gather with a group of friends, laugh, jeer and
become engrossed in something so outrageous they can forget real world problems
for a while.
It's hard to worry about world problems when you're watching a movie where it's raining sharks.
And, for two hours, that's not a bad thing.
And Sharknado Two is an example of people watching to see
how crazy it will get. I remember
my father watching Army of Darkness for the first time. I was at home from college for the summer, watching my VHS copy of
the film when he came home from work late one night and sat down with me to see
what I was watching. When Ash got
back to the castle with the Necronomican, he announced he wasn’t going to watch
anymore of this stupid movie and was going to bed. Yet, not more than five minutes later, he was back,
admitting he had to see how the movie ended.
Now, I am NOT equating Sharknado Two with Army of
Darkness. But, let’s be honest,
both movies were made to be campy and silly. And, as we all know, the best stuff is often saved for last
act in movies. At some point, you
have to keep watching just to see how far the filmmakers on the crazy/awesome
scale. My father was laughing at
the end of AoD, and I suspect most viewers were doing the same as Fin rode a
shark across the sky. I know I
was, even as the rational part of my brain tried to chime in about how idiotic
the moment was.
The only flaw with this moment is she didn't say, "Groovy."
But my inner five year old won out, fueled by the inner five
year olds of those around me. And
that’s the best way to watch Sharknado Two, with a group of like-minded friends
and an ample supply of your favorite beverage. Much like a hang over, you might regret what you did in the
morning. But you will have a fine
time that the evening.
Yeah, Sharknado 2 was pretty much perfect -- save maybe for the title. (Which could have been funnier.)
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