Wednesday, March 6, 2019

Happy Ash Wednesday, Pacific Northwest Horror/Sci Fi/Fantasy Fans!


And you know what that means.....

Yep, time to go shop smart,
shop S-Mart!

That's right, it's just 239 days until THE MOST WONDERFUL TIME OF THE YEAR!  Oh, and 45 days until Easter, so mark your calendars appropriately. 

But if you're looking for something to do between now and October, you've come to the right place, Pacific Northwest Horror/Sci Fi/Fantasy Fans.  The Shadow Over Portland is back on track and sharing all the movies, festivals, cons, stage events you want to see, and MUCH MORE!

To start, check out this edition of the Weekly Update, full of great movies, a stage event, a dark bazaar, and a major con, all coming to the area in the next eleven days!

But you'll also want to check the Horror/Sci Fi/Fantasy Calendar.  I spent most of the week filling it with all the events you need to know about through December, 2019!  I've got details on the next three features in the Friday Night Frights series in Tacoma, WA, the dates and locations of the Urban Unglued Dark Market appearances through the rest of 2019, the schedule of classic genre films coming to the Academy Theater in Portland through June, and MUCH MORE!  Of course, I'm always finding new things to add, so keep checking back for more details!!

Remember, you can always have your event listed on The Shadow Over Portland.  Just email me at shadowoverportland@live.com with the details, and any promotional artwork, and I'll do everything else!  Well, except for sending you a bill, as postings on the site are FREE!!  And it's never too early to send me details about your haunted attractions and film festivals coming in October.  Avoid the rush and get the details out to genre fans across the Pacific Northwest early!!

From Ashland, OR, to Vancouver, BC, The Shadow Over Portland has you covered!

Now Showing

McMenamins Mission Theater and Pub (1624 NW Glisan St in Portland, OR) will screen the Jim Henson fantasy Labyrinth through Wednesday, March 13.  For showtimes and advance tickets, visit the Mission Theater website.

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The Saturday Secret Matinees return to The Grand Illusion Cinema (1403 NE 50th St in Seattle, WA) Saturdays at 2 pm through March 30.  The series recreates the good, old-fashioned weekend matinees, with a cliffhanger episode of the serial The Mysterious Dr. Satan, followed by a secret classic feature film, all in GLORIOUS 16mm!  For more details, visit the Grand Illusion website.

March, 2019

Wednesday, March 6

Central Cinema (1411 21st Ave in Seattle, WA) presents the second film in the Lord of the Rings trilogy, The Two Towers, tonight at 7 pm.  The screening will be of the original theatrical version.  For more details and advance ticket sales, visit the Facebook Event Page.

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Weird Wednesday at The Joy Cinema and Pub (11959 SW Pacific Highway in Tigard, OR) presents the Bela Lugosi classic White Zombie tonight at 9:15 pm.  Admission is FREE, but you must be 18 or older to attend.  Don't forget to stop at the concession stand for some tasty treats and beverages before the show!  For more details, visit The Joy Cinema website.

Thursday, March 7

As part of the Feminist March 2019 series, The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) presents the haunted house classic The Haunting in GLORIOUS 35mm tonight at 7:30 pm.  For more details and advance ticket sales, visit The Hollywood Theatre website.

Friday, March 8

Tonight's Friday Late Night Movie at the Rio Theatre (1660 East Broadway in Vancouver, BC) is 1979's Sci Fi/Horror classic Alien.  Showtime is 11 pm.  For more details and a link to advance ticket sales, visit the Facebook Event Page.

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In conjunction with the Feminist March programming at The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR), the Mondo Trasho series presents Alien Resurrection, starring Sigourney Weaver, Winona Ryder and Ron Perlman, in GLORIOUS 35mm!  The film starts at 9:45 pm.  For more details and a link to advance ticket sales, visit the Facebook Event Page.

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Grand Illusion Cinema (1403 NE 50th St in Seattle, WA) screens FP2: Beats of Rage tonight at 9 pm.  This post apocalyptic tale of rivals fighting for control of Frazier Park, the last remaining booze oasis, by competing in "Beat Beat Revelation," a blood sport version of Dance Dance Revolution.  Guess the Beat Beat part doesn't just refer to the rhythm section of the music.  For more details and advance ticket sales, visit the Grand Illusion Cinema website.

Saturday, March 9


Urban Unglued: Bat's Night Out 2019 heads to the Dryer Masonic Center (306 134th St S in Tacoma,WA) with a host of dark and unusual artists selling handmade curiosities, clothing, toys and MORE!  Parking and admission is FREE, and the market will be open from 2 to 10 pm.  For more details, visit the Facebook Event Page.

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Grand Illusion Cinema (1403 NE 50th St in Seattle, WA) and VHS Uber Alles presents Rock 'n Roll Cowboys tonight at 9 pm in GLORIOUS VHS!  A roadie looking to become a rock star is given an otherworldly synthesizer that creates music through pure thought.  Only problem is the synth is designed to destroy rock and roll forever!  Find out tonight if he can stop this neferious plan and save the girl all in one fateful night!  Admission is only $2!!  For more details, visit the Grand Illusion Cinema website.

Sunday, March 10

FLASH!  AHHHHHHH-HA!!!!  Yep, The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) will screen the 1980 camp classic Flash Gordon, with a killer soundtrack by Queen, tonight at 7 pm.  For more details and a link to advance ticket sales, visit The Hollywood Theatre website.

Tuesday, March 12

Burlynomicon returns to the Lovecraft Bar (421 SE grand in Portland, OR) tonight at 9:30 pm.  Admission is $15 at the door and you must be 21 or older to attend.  Doors open at 8:30 pm.  For more details, including a list of performers, visit the Facebook Event Page.

Wednesday, March 13

McMenamins Mission Theater and Pub (1624 NW Glisan St in Portland, OR) will screen the sci fi cult classic The Fifth Element through Wednesday, March 20.  For showtimes and advance tickets, visit the Mission Theater website.

Thursday, March 14

Emerald City Comic Con returns to the Washington State Convention Center (800 Convention Place in Seattle, WA) this weekend.  Few details are available, but tickets go on sale at 12 pm PST on October 17.  For more details, keep track of the Facebook Page or the Emerald City Comic Con website.

UPDATE: Mary McDonnell (the Battlestar Galactic reboot, ID4, Scream 4) is scheduled to attend on Saturday and Sunday.

Friday, March 15

Get ready to fall In the Mouth of Madness, as Friday Night Frights brings John Carpenter's take on Lovecraftian Horror to the Blue Mouse Theatre (2611 N Proctor St in Tacoma, WA).  Showtime is 10 pm.  For more details, visit the Facebook Event Page.

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As part of the Feminist March programming at The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR), Queer Horror is bringing 1975's The Stepford Wives to the big screen in GLORIOUS 35mm!  The film will be hosted by Portland's premier drag clown Carla Rossi and features a preshow starring Portland's own 1950s drag housewife, Madame DuMoore.  The show starts at 8 pm.  For more details and a link to advance ticket sales, visit the Facebook Event Page.

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The Friday Late Night Movie at the Rio Theatre (1660 East Broadway in Vancouver, BC) brings back the Oscar winning horror film Get Out tonight at 11:30 pm.  For more details and a link to advance ticket sales, visit the Facebook Event Page.

Saturday, March 16

The Rocket Sci-Fi series at the Pickford Film Center (1318 Bay St in Bellingham, WA) presents the sci fi classic Aliens today at noon.  For more details and advance ticket sales, visit the Pickford Film Center website.

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The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) presents a digital remastered version of the sci fi animation classic Fantastic Planet tonight at 7:30 pm.  For more details and advance ticket sales, visit The Hollywood Theatre website.

Friday, March 1, 2019

Get ready for some classic Price, lots of xenomorphs and more, all coming the Pacific Northwest!


Man, I'm surprised how hard it is to get back onto a schedule after being off one for a couple of months.  You start the week with the best intents, but than end up feeling like you're wrapped up in a pinkish space amoeba, unable to move forward.

 On the plus side, the feeling doesn't include the sensation
of being slowly digested.

But at least I've been updating the Horror/Sci Fi/Fantasy Calendar, so you'll be able to check out all the great events coming during the rest of March.  I've got more to add later this weekend, so be sure to check back later.

But let's get to the Weekly Update, where you'll find details on The Hollywood Theatre presentation of two classic Vincent Price films, with Victoria Price in attendance, details on two films from the Alien franchise coming to the Pacific Northwest and much more!  Check it out below!!

Remember, if you want your event listed on The Shadow Over Portland, just email me at shadowoverportland@live.com with the details and any promotional art, and I'll do all the rest.  Well, except for sending you a bill, as having your event posted on the site is FREE!!

From Ashland, OR, to Vancouver, BC, The Shadow Over Portland has you covered!!

Now Showing

The Saturday Secret Matinees return to The Grand Illusion Cinema (1403 NE 50th St in Seattle, WA) Saturdays at 2 pm through March 30.  The series recreates the good, old-fashioned weekend matinees, with a cliffhanger episode of the serial The Mysterious Dr. Satan, followed by a secret classic feature film, all in GLORIOUS 16mm!  For more details, visit the Grand Illusion website.

March, 2019

Friday, March 1

The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) presents the Vincent Price classic House on Haunted Hill in GLORIOUS 35mm tonight at 7 pm.  Victoria Price will be in attendance for a Q and A about her father's life and work.  Tickets will be available to the general public on Wednesday, February 13 at noon.  For more details and advance ticket sales, visit The Hollywood Theatre website.

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Black Lodge Burlesque and Drag, cabaret inspired by David Lynch, comes to Tonic Lounge (3100 NE Sandy Blvd in Portland, OR) tonight at 9:30 pm (doors open at 8:30 pm).  Tickets are $15 in advance, $18 at the door.  Come dressed as your favorite Lynchian character for a chance to win some damn fine prizes in the costume contest.  For more details and a link to advance ticket sales, visit the Facebook Event Page. 

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The PSU Orchestra plays Hollywood Film Scores takes place at 8 pm tonight at McMenamins Mission Theater (1624 NW Glisan St in Portland, OR).  The program includes cuts from The Phantom Menace and Lord of the Rings.  For more details and a link to advance ticket sales, visit the Facebook Event Page.

Saturday, March 2

The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) presents the Vincent Price classic House of Wax in GLORIOUS 35mm tonight at 7 pm.  Victoria Price will be in attendance for a Q and A about her father's life and work.  Tickets will be available to the general public on Wednesday, February 13 at noon.  For more details and advance ticket sales, visit The Hollywood Theatre website.

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Third Eye Cinema, presented by Film is Truth, presents the cult classic Big Trouble in Little China at the PFC's Limelight Cinema (1416 Cornwall Ave in Bellingham, WA) at 10 pm.  For more details and advance ticket sales, visit the Limelight Cinema website.

Monday, March 4

McMenamins Mission Theater and Pub (1624 NW Glisan St in Portland, OR) will screen the Jim Henson fantasy Labyrinth through Wednesday, March 13.  For showtimes and advance tickets, visit the Mission Theater website.

Tuesday, March 5


SciFi Extravaganza #18 at the Darkside Cinema (215 SW 4th St in Corvallis, OR) is 1961's The Phantom Planet.  The show opens at 6 pm with newreels, cartoons, drive-in treats and other oddities, with the feature starting at 7 pm.  Admission is $5, which you can use as credit towards food purchases.  For more details, visit the Facebook Event Page.

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The Portland Horror Trivia Massacre returns to Home, A Bar (719 SE Morrison St in Portland, OR) tonight at 7:30 pm.  Gather a team for a chance to win one of two Home, A Bar gift certificates, and see if you win a sweet horror themed raffle prize.  For more details, visit the Facebook Event Page.

Wednesday, March 6

Central Cinema (1411 21st Ave in Seattle, WA) presents the second film in the Lord of the Rings trilogy, The Two Towers, tonight at 7 pm.  The screening will be of the original theatrical version.  For more details and advance ticket sales, visit the Facebook Event Page.

Thursday, March 7

As part of the Feminist March 2019 series, The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) presents the haunted house classic The Haunting in GLORIOUS 35mm tonight at 7:30 pm.  For more details and advance ticket sales, visit The Hollywood Theatre website.

Friday, March 8

Tonight's Friday Late Night Movie at the Rio Theatre (1660 East Broadway in Vancouver, BC) is 1979's Sci Fi/Horror classic Alien.  Showtime is 11 pm.  For more details and a link to advance ticket sales, visit the Facebook Event Page.

---------------

In conjunction with the Feminist March programming at The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR), the Mondo Trasho series presents Alien Resurrection, starring Sigourney Weaver, Winona Ryder and Ron Perlman, in GLORIOUS 35mm!  The film starts at 9:45 pm.  For more details and a link to advance ticket sales, visit the Facebook Event Page.

Saturday, March 9


Urban Unglued: Bat's Night Out 2019 heads to the Dryer Masonic Center (306 134th St S in Tacoma,WA) with a host of dark and unusual artists selling handmade curiosities, clothing, toys and MORE!  Parking and admission is FREE, and the market will be open from 2 to 10 pm.  For more details, visit the Facebook Event Page.

Sunday, March 10

FLASH!  AHHHHHHH-HA!!!!  Yep, The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) will screen the 1980 camp classic Flash Gordon, with a killer soundtrack by Queen, tonight at 7 pm.  For more details and a link to advance ticket sales, visit The Hollywood Theatre website.

Saturday, February 23, 2019

The Meg (2018)



My favorite summer novel to reread each year is Steve Alten's Meg: A Novel of Deep Terror.  It's the perfect book to take out on a beach or poolside, something light and fun, but easy to set aside when it's time to hit the water.  I brought it with me to Florida every year, reading it while my parents water walked around the community pool.

Now, just because I read it every summer does not mean I think it's well written.  Far from it.  Every character seems to have walked off the pages of a catalog filled with cliched personalities, the subplots are silly (especially the evil wife trying to drive her husband, the hero of the story, insane to make a divorce more acceptable to her viewers) and the budding romance between main character Jonas Taylor and the very young Terry Tanaka makes no sense outside of a male fantasy.

Instead, in the movie, she walks in on him wearing a towel.
PROGRESS!

But when the giant prehistoric shark appears, the novel becomes a lot of fun.  And the ending...  Well, we'll get to that.

After being in development hell since 1997, the story arrived on the big screen last year as The Meg, a Chinese-American co-production.  And, while it's nice to see another killer shark movie make it into theaters, the film missed the mark, making it a so-so CGI fest with no real thrills or cheesy fun.

The story starts as Jonas Taylor (Jason Statham) and his crew are performing a deep sea rescue on a disabled submarine.  As the rescue progresses, Jonas realized the sub is being attacked by an extremely large predator, causing him to sacrifice two of his crew to save the survivors.  His reasonable action leads to one of the survivors, Dr. Heller, to claim he was suffering from pressure induced psychcosis.  Jonas quits and heads to Thailand, where his main occupation seems to be heavy drinking.

Five years later, Dr. Zhang (Winston Chao) leads an attempt to dive below the assumed depth of the Mariana Trench, theorizing the "bottom" is a thermocline of hydrogen sulfide.  Launching from a research facility build by billionaire Jack Morris (Rainn Wilson), the submarine, piloted by Jonas' ex- wife Lori (Jessica McNamee), discovers a new ecosystem before it is attacked by a large inhabitant of the region and is disabled.

As Jonas is one of the only pilots to successfully perform a rescue effort at such depths, Zhang and James "Mac" Mackreides (Cliff Curtis) fly to Thailand to convince Jonas to attempt a rescue.  He agrees, after learning Lori is involved, but Zhang's daughter Suyin (Li Bingbing) takes off on a potential suicide attempt to tow the sub back to the surface.  Once he arrives, Jonas meets Suyin's daughter, Meiying (Sophia Cai), and (as expected) the two form a bond.  Meiying tells Jonas her mother is single, recovering from a bad marriage (how convenient) and he promised to bring her back.  Diving at dangerous speeds, despite the warnings of Dr. Heller, who is a staff member on the station, Jonas arrives as Suyin's submersible is attack by a giant squid, only to be "rescued" by a megalodon, which begins attacking anything with a light source.

Sure, she's a cute movie kid.
But it's kind of creepy how she's trying to set her mom up
with a total stranger she calls "crazy."

Jonas rescues most of the members of the sub, but one member stays behind to draw the predator's attention.  As expected, Jonas is accused of abandoning the rescue too early, but a megalodon traveled through a thermal vent created by Jonas' escape and is now attacking boats.  Jonas and the crew track down and kill the predator, only to discover a second giant shark also came up through the vent.

And, as expected, mayhem ensues.

It's nice how all the inner tubes are brightly colored,
to help the meg find it's prey.

Alas, that's when the problems ensue as well.

Okay, the cast is fine for an giant shark action flick.  Jonas and Suyin's romance feels less forced (but not by much) than the novel, but only because she's a divorced single mother and not a 20-something lounging on a research ship in a bikini.  The script is full of nice moments of heroism, sacrifice and dickishness, and the actor's do a fine job with what they have.  But the script plays things too straight and misses the chance to deliver some cheesy fun and spooky thrills.

Let's talk about the lack of cheesy fun first.  While Wilson has some humorous lines early on, such goofiness is abandoned once the shark action starts.  I didn't expect a full out cheese fest similar to some of the Syfy shark movies, but dealing with a giant, prehistoric shark should allow the screenwriters to indulge in some fun concerning the premise.  While the film has some humorous homages to the granddaddy of shark films, Jaws, the actors are forced to play it too straight, to the film's detriment.

And the script doesn't even try to be scary.  For example, the shot from the poster is creepy.  Person floating on an inner tube,unaware of the GIANT shark about to swallow her.  That would have been an intense moment in the film, but it never shows up.  You do see the shark swimming underneath a beach-load of people in the final act, as it finds a populated coastal town on which to snack.  But all the attacks happen at the speed of CGI, which means it happens too fast to see little more than an impression of the shark's mayhem.  It's all high speed jump scares, no little moments that creep up on you. 

And the CGI gives the film a very unrealistic sense.  Statham is in the water with a GIANT SHARK, yet he somehow is never swallowed by the creature.  Sure, the film has some "reasonable" explanation why he avoids being shark kibble, but it just never look believable.

Oh sure, a boat's winch is going to keep you alive.
Better to have a big hook tied to you,
as you're little more than a shark lure pulled through the water.

The film also doesn't even try to explain why the meg is hunting humans, little more than a tiny morsel for the giant beast.  It makes more sense for the shark to be hunting whales (which it does early on), which would make a more satisfying meal for the energy exerted.  Instead, the film focuses on the creature chomping down humans, whether in a cluster or singularly.  The script could have had some fun explaining how the meg is now acting more like a baleen whale, opening wide and swallowing hordes of swimmer whole.  Instead, all we get is the shark thrashing about, trying to chomp down on puny prey that would be little more than an appetizer.

And seriously, the giant shark is swimming away from a helicopter?
Mega Shark took out a passenger plane, and this shark is
afraid of a chopper?

The film is further hampered by the PG-13 rating.  Okay, I'm on record saying that I don't think a rating determines how good or scary a movie is, as plenty of PG and PG-13 deliver on the thrills and chills.  But The Meg is more bloodless than most of the made-for-Syfy shark movies, which lessens the impact of the attacks.  And it leads to my main complaint concerning the adaptation, as it ignores the ending of the novel for a more CGI-action conclusion.  So, SPOILERS ahead for the novel, not the film.

In the novel, Jonas saves the day by driving a submersible down the throat of the meg, exiting the vehicle while in the shark's stomach and claws around the human filled content of the creature's GI tract.  He cuts his way out of the stomach and reaches the shark's heart, slashing it apart and saving the day before exiting the shark's mouth via the submersible's exit pod. 

Sure, that would have most likely pushed the rating into R territory, but it's better than the film's ending.  It makes more sense than Statham enacting an outrageous moment from a Fast and Furious sequel.

CGI makes everyone Superman.
Even if the moment defies physics and believability.  

End of SPOILERS.

In fact, Statham complained to Collider about the film's neutering at the hands of the studio, who wanted the film to reach the widest audience possible.  It's not a bad decision, given the film's budget, but the film is just too tame to appeal to an audience who've watched blood-soaked shark movies on cable (you can read Statham's concerns about the rating here).

The Meg does have some fun moments.  But given the insane escapes from the maw of the shark made capable by CGI, the lack of the script having any fun with the basic concept, and the absence of any bloody violence, the film just falls flat.  To say a feature film released in theaters pales compared to the monster shark movies flooding cable channels should sum up how this film fails.

Oh, wait, this thing is attracted to light?
Someone cut off the damn power NOW!






Thursday, February 14, 2019

Welcome to the first Weekly Update of 2019!


Yep, it's about a month late, but welcome to the first Weekly Update of 2019.  Before we start talking about all the great Horror/Sci Fi/Fantasy events coming to the Pacific Northwest this month, I want to take a moment to thank everyone who offered their well wishes and condolences when I posted the tribute to my mother.  Your responses were greatly appreciated and I thank you all once again.

Between my mother's death, traveling to Florida to help my father get the house ready to be placed on the market, and some insanely busy work days after I returned to the Northwest, it's only been in the past few days that I've found the time and energy to get back to updating the site. 

So, let's talk about the weather...

Yep, snow is back in the forecast and ready to make commuting BITE!

Forecasts continue to show the potential for snow next week, though I don't think it's at a snow-pocalypse threat level.  Still, if you plan to attend any of the events listed below, contact the venue before venturing out into dangerous weather conditions, to find out if the event was cancelled.

I hope the snow avoids the Pacific Northwest, as February has some amazing movies, stage shows and headed our way.   But if you want to see what's coming next month (oh, believe me, you do!), check the Horror/Sci Fi/Fantasy Calendar for all the latest coming in 2019!  And keep checking back for future updates!!

If you don't see your event listed on the site, email me at shadowoverportland@live.com with all the details and promotional artwork, and I'll get it on the site ASAP.  Best of all, you won't be charged for it, as listings on the site are FREE!!

From Ashland, OR, to Vancouver, BC, The Shadow Over Portland has you covered!

Now Showing

The Saturday Secret Matinees return to The Grand Illusion Cinema (1403 NE 50th St in Seattle, WA) Saturdays at 2 pm through March 30.  The series recreates the good, old-fashioned weekend matinees, with a cliffhanger episode of the serial The Mysterious Dr. Satan, followed by a secret classic feature film, all in GLORIOUS 16mm!  For more details, visit the Grand Illusion website.
February, 2019

Thursday, February 14

The Queer Horror series at The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) continues the annual Valentine's Day + Jennifer Tilly tradition with a screening of Seed of Chucky  tonight at 9:30 pm.  Join your host, Portland's premiere drag clown Carla Rossi, for this campy killer doll flick.  For more details and advance ticket sales, visit The Hollywood Theatre website.

Friday, February 15

Friday Night Frights presents the blaxploitation classic Blacula, starring the amazing William Marshall, at 10 pm tonight at the Blue Mouse Theatre (2611 N Proctor St in Tacoma, WA).  Admission is $6 at the door.  Wear your hippest 70s threads for a shot to win some great horror prizes, or a cape if you want something extra nice.  For more details, visit the Facebook Event Page.

Saturday, February 16

The Lovecraft Bazaar of the Bizzare sale takes place at The Lovecraft Bar (421 SE Grand in Portland, OR) from 4 to 7 pm.  You must be 21 or older to attend.  For more details, visit the Facebook Event Page.

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The Rocket Sci-Fi series at the Pickford Film Center (1318 Bay St in Bellingham, WA) presents 1983's Born in Flames today at noon.  This R-rated film examines what might happen to the rights of women under a socialistic society in the US, and finds nothing has changed.  For more details and advance ticket sales, visit the Pickford Film Center website.

Tuesday, February 19

The Repressed Cinema series at The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) pays tribute to the late Dick Miller with a screening of A Bucket of Blood, in GLORIOUS 16mm, tonight at 7:30 pm.  For more details and advance ticket sales, visit The Hollywood Theatre website.

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The Portland Horror Trivia Massacre returns once again to Home, A Bar (719 SE Morrison St in Portland, OR).  Gather a team and try to win one of two gift certificates, and see if you walk out with a sweet horror themed raffle prize.  For more details, visit the Facebook Event Page.

Saturday, February 23

Lacy Productions presents Phantom Burlesque: A Tribute to Phantom of the Opera tonight at Crush Bar (1400 SE Morrison St in Portland, OR) tonight.  Showtimes are 7 and 9:30 pm.  For more details, including a list of performers and a link to advance ticket sales, visit the Facebook Event Page.

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The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) gives you a belated reason to celebrate the start of the year with 2019: After the Fall of New York at 7:30 pm tonight.  For more details and advance ticket sales, visit The Hollywood Theatre website.

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Get ready for a bewitching time as The Black Flame Candle: A Hocus Pocus Burlesque Story takes the stage at the Funhouse Lounge (2432 SE 11th Ave in Portland, OR).  Doors open at 6:30 pm, with the show starting at 7 pm.  For more details, including a list of performers and advance ticket sales, visit the Facebook Event Page.

Sunday, February 24

Screamvina Presents brings the first two episodes of the live radio production Scary Home Companion, featuring horror-themed audio dramas, sketches, local celebrity interviews and live Foley sound effects, to The Star Theater (13 NW 6th Ave in Portland, OR).  Doors open at 8 pm, with the show starting at 8:30 pm.  For more details, including a link to advance ticket sales, visit the Facebook Event Page.

Wednesday, February 27

Re Run Theater at The Hollywood Theatre (4122 NE Sandy Blvd in Portland, OR) celebrates Black History Month with a Star Trek: Deep Space Nine double feature.  Check out the episodes "Trials and Tribble-lations" and "Far Beyond the Stars" on the big screen starting at 7:30 pm tonight.  For more details and advance ticket sales, visit The Hollywood Theatre website.

Monday, January 14, 2019

Good bye, Mom.


My parents and I at Silver Springs in Florida.

On December 29, my mother fell in the bathroom of my parent's home in Florida.  My father called the paramedics and, on the way to the hospital, Mom started acting confused and having trouble breathing.  The medical team found she was bleeding within her brain and transported her to another hospital that specialized in neurosurgery.  Despite their efforts, the trauma to her brain was too great and she fell into a vegetative state.  On January 2, my father made the decision to take her off life support, which my two brothers and I supported.  Mom would never want to be laying in a hospital bed, unable to move or talk.

On January 10, she passed away at 6:02 pm EST.

Mom never understood my love of genre films and novels, but she never tried to change me.  Sure, she was quite restrictive concerning the movies and television shows I could watch as a kid, but she never censored what I could read.  And she made certain I had an appreciation for film and literature beyond the horror/sci fi/fantasy genres, something I will always be grateful for.  

The joke in my family was that my love of horror, sci fi and fantasy was cemented before I was born.  In 1960, my pregnant mother and father went to see the latest Alfred Hitchcock movie, a little film called Psycho.  I always claimed the chemicals released in Mom's body during the scarier moments of film affected me in the womb.  Mom would always counter that argument, saying what probably affected me was Dad leaping into her lap when Vera Miles turned Mrs. Bates around.  And Dad would sheepishly admit he did jump high enough at that moment to easily clear the armrest.

I wish I had a picture of that moment,
but I have to settle for this.

The first genre film I saw outside the womb was 1953's Invaders from Mars.  I was in my grandmother's basement alone when I was three of four, watching it on her large console black and white television.  Sure, it's kind of silly watching it now, but at the time, the film frightened me so much, I had nightmares for weeks.  Needless to say, Mom wasn't very happy, given the sleepless nights she endured consoling me.  Sorry about that, Mom.

Sure, you can see the zippers on the back of the costumes,
but it scared the hell out of me as a kid.

I grew up at a time when movies were changing.  MPAA ratings were replacing the outdated Hays Code, and films delivered more onscreen deaths and mayhem than in the 50s.  Mom felt it was best to shield my brother and I from the more violent aspects of GP rated films (and no, that's not a typo), as she was worried the affects it would have on us.  At the drive in, she wouldn't allow us to even watch the trailers to the Connery era Bond films, as they were too violent in her opinion.  Of course, we'd sneak peeks when we could.  Hey, tell a kid they cannot do something, and they'll find a way around it.

But if the film was rated G, we could watch it.  So I got to see Fantastic Voyage, Planet of the Apes and The Andromeda Strain at the local drive in, though in hindsight, the latter two films would probably be given a PG-13 rating today.  I can only imagine the discussion that came up later, after I asked what Dr. Zaius meant by "emasculation."

No wonder Taylor was so pissed off by the end of the film.

But while Mom restricted what movies I could watch, she allowed me to read whatever I wanted.  Mom felt reading was more important to my development than watching movies, and as I had a college reading and comprehension level by the time I was in the sixth grade, she allowed me full access to whatever I wanted.  So while I couldn't see The Exorcist until it was released on ABC (with all the nasty bits excised), I was allowed to read it, as well as Dune, Rosemary's Baby, the novelization of The Omen, and many other "mature" novels before I was in junior high.  It might have raised a few eyebrows at the local library, but Mom never said no to any book I wanted to read.

I was also the first of my brothers to have a small, black and white television in my bedroom.  I suspect Mom wasn't happy allowing that, as she didn't want me locked away from the rest of the family.  But they were tired of me switching to genre offerings during the commercial breaks of the sporting events everyone else watched, so she relented.  Of course, she had strict rules I had to follow, one being I could only stay in my room to watch local creature features.  I was fine with that, and was able to watch the occasional Universal Monster Movies that would come to local stations uninterrupted.

It might sound like Mom was overprotective, and that's true to a point.  But she would allow my brothers and I to watch films like The Birds (shown unedited here in Portland at the time) as long as it was a family viewing.  She also deepened my appreciation of cinema as an art form, encouraging me to watch films like Citizen Kane, Vertigo, and other classic.  Rather than locking myself in my room watching nothing more than monster movies, Mom forced me to gain an appreciation for other cinematic genres.  And I can't thank her enough for that.

And Mom, a fan of musicals, fostered my appreciation for them as well.  After watching West Side Story, she introduced me to Romeo and Juliet and other works from Shakespeare.  She took me to a Portland production of Sweeney Todd and West Side Story.  Thanks to her, I developed a love of musicals and live theater, which I carry with me to this day.

Music, murder and cannibalism.  I never thought
I'd be watching such a show with Mom.

When my parents moved to Florida about ten years ago, Mom was experiencing extreme mobility issues.  She wasn't able to walk without the aid of a cane, and later a walker, which also left her unable to dance, an activity she loved.  Her ability to paint was also affected by her systemic neuropathy, to such a degree that she had to give it up.  The spare bedroom in the house was full of brushes and paints growing old from disuse.  I can't imagine how much that aggravated her.

But it never kept her from taking me to sites I wanted to see.  We traveled 90 minutes from their house one time I visited, so I could walk the streets of Green Cove Springs and find the locations used in Zaat.  She couldn't get out of the car and walk with me.  Instead, she told me to have a great time and stayed in the car for about an hour while I wandered about.  I knew she was feeling the effects of the trip for the next two days.  But she never complained and was only worried that I had a good time.

And I did.  Thanks, Mom.

We also visited Silver Springs, where some scenes in Revenge of the Creature were filmed.  Again, she watched me board a glass bottom boat, insisting I take the full 90 minute tour against my objections, while she and Dad waited for me at the dock.  The photo at the start of the article is of us on the dock before the tour. I love that she did this for me, but I just wish she'd been there while I geeked out as we drifted above the filming location where the Gill Man once swam.

Yep, I survived a trip to the Black Lagoon!

Recently, Mom started recording genre movies she enjoyed for us to watch together during my yearly visits.  Last May, it was the thriller Dead Calm, which I'd never seen.  I was such a joy for me to watch with her, even if she dozed off once.  Just watching a genre film she wanted to share with me was wonderful.

It hit me a few days ago that Mom told me early in December that she'd recorded the Vincent Price classic House of Wax off TCM and wanted to know if I wanted to watch it with her.  My first response was to ask if she'd seen it, and she laughed, saying she'd watched it in the theaters when she was a teen.  Now, I've seen the film countless times, including in digital 3D at The Joy Cinema.  But my response was simply, "I'd love to watch it with you!"  And so our 2019 Movie Night was set.

It would have been a blast.

And now, sadly, that will not happen.

So, within the next few days, I'll be sitting on my couch with a bag of popcorn and a few bottles of Snapple (Mom's drink of choice after giving up martinis due to her neuropathy) watching House of Wax and hoping she's watching with me.

Goodbye Mom.  I love you and miss you.  Thanks for guiding me on the right path, both as a human being and a cinema fan.  I hope you're out dancing on a beach, between painting sessions.