Released as Saint Nick in the United States, Sint is a Dutch
horror film based on the legend of Sinterklass (Santa Claus to us), but with a
dark, sinister twist. Considered by
some to be a horror comedy, the film isn’t as funny as one might expect, but
more a straight up horror without the redeeming ending some might expect from a
Christmas Horror Film.
The film opens
on December fifth, 1492, the night of a full moon. A band of pirates, lead by a religious figure upon horseback,
terrorize a coastal town in Holland.
You should get the hint early on that this “holy” man is evil, as he
sports an upside down cross on his mitre (headband).
Though the
locals leave offerings in wooden shoes outside their homes, the pirates
infiltrate some homes through the chimneys, slaughtering the adults and
bundling up the children in sacks to be taken to their ship anchored in the
harbor.
Well, the townspeople have had enough and burn the ship,
along with everyone onboard. But,
as expected, no evil person leaves the mortal coil without cursing those who
caused his death, which brings us to December fifth, 1968, and another full
moon.
Sure, the ship is on fire, I'm burning to death....
But I'm still going to curse you! If I could breath without my lungs igniting...
Goert, a farmboy, is sent by his father to check the
livestock by his father. While in
the barn, his parents are murdered, and he witnesses his siblings bundled in
sacks and taken away by shadowy figures.
And he sees a man riding a horse, dressed in a bishop’s robe, atop the
roof.
Yeah, that's never a good sign.
Now we move to modern day Amsterdam, with another December
fifth falling upon a full moon.
Goert is now a police detective, who continues to be haunted by his
family’s death and has submitted a report on what to expect, and how to deal
with, the return of Sinterklass .
His superior, however, tell Goert to take time off and not return until
January.
The film then shifts to a local high school, where
Sinterklass gifts are being
exchanged. And it’s obviously not
a high school here in the States, as most of the gifts are sexual aids. In fact, the teacher wearily admits
that this class has surpassed last year’s dildo gift giving, to a round of
applause by the students. Yep, not
your typical US sex ed class.
And Sinterklass isn't happy with that bit of information.
Frank, one of the students, receives something less festive
as his Sinterklass gift, a breakup notice from his girlfriend, Sophie. It appears Sophie found out Frank was
cheating on her and, while walking home with two other students, Sophie asks
her friend Lisa if she was the one Frank was seeing.
Lisa denies it, but that turns out to be a lie. Frank meets her in her backyard, a
rather gutsy move as Sophie lives next door, and revels that he knew Sophie was
cheating on him before he and Lisa were intimate. But he kept seeing Sophie as she’s a hottie. Frank then attempts to get a bit
of holiday cheer from Lisa, suggesting they meet up later in the evening. But Lisa balks at his suggestion, as
she is not sure were their relationship will lead, and Frank leave in a
huff.
Okay, you can call Frank an asshole at this point, as I did,
but remember, he’s in high school and most guys are assholes at that time in
their lives. Frank does call Lisa
later to apologize, while he’s getting ready to play Sinterklass at an event.
Lisa calls Sophie later, only to hear Sophie murdered by
Sinterklass’ henchmen. Lisa finds
the body, and Sophie’s younger brother missing, and calls the cops. Frank, in the meantime, is lost with
his friends (both dressed as Black Pete) and runs afoul of Sinterklass and his
undead henchmen. Frank manages to
escape, only to be stopped by the police and accused of his friend’s murders,
as well as Sophie’s murder and the disappearance of her brother.
While being driven to prison, the officers transporting
Frank see Sinterklass riding his horse across the rooftops of Amsterdam. While attempting to shoot the new
suspect, the officers are killed and Frank is left to fend for himself against
the evil spirit of Christmas.
Yeah, shooting at this guy from a moving car.
What is this, an 80's action film?
And that doesn’t go too well. But before Sinterklass kills Frank, Goert intervenes and
soon, the two team up to end the curse of Sinterklass forever.
This is a fun little Horriday film, with some great moments
of practical and CGI effects (seriously, some of the deaths are very well
done), but it helps to have a bit of history behind the legend of
Sinterklass. And here at The
Shadow Over Portland, I did the research so you can read the rest of the review
and just enjoy the film, without spending time on the Internet learning about
the legend of Sinterklass and how it ties into this film.
Sinterklass is based on St. Nicholas (the Bishop of Myra, who
Frank mentions later in the film), a Greek bishop who was also the basis for
the US Santa Claus, as well as other versions of the gift-giving
saint. He arrives on December fifth by boat from Spain,
along with his helper, Black Pete (Zwarte Piet). Traditionally considered a Moor, Black Pete aids Sinterklass
in rewarding good children with gifts, while spanking bad children with a
switch. If a child is especially
naughty, they would be stuffed into a sack and taken back to Spain.
The reason Sinterklass is assumed to come from Spain is his
gifting of Mandarin oranges, mentioned in a Dutch poem. As for taking naughty children to
Spain, and the origin of Black Pete, the Moors controlled modern Spain in 711,
and often pirates from the region would raid coastal towns in Europe, abducting
people to be sold as slaves. This caused
people to abandon many coastal towns, and continued into the 19th
Century.
Writer/director Dick Maas (The Lift, Amsterdamned) takes
this history and wraps it into a nice, dark Christmas tale. His Sinterklass is based on a
fictitious rogue bishop, Niklas, his Black Petes have dark skin due to the
burns suffered on the ship in 1492 (unlike the current, more PC idea that the
blackened faces are due to the soot for chimneys). And the Bishop of Myra is a distraction created by the Church, attempting to hide the true origins of Sinterklass. Maas takes a few liberties with the story, but manages to weave historical fact into his fictional tale, to a point where knowing the legend makes watching the movie even more fun.
But, if you're only interested in the gore, this scene, in the opening minutes,
should be enough to whet your appetite.
And Maas knows his horror films. The scene where Sophie, Lisa and a third friend are walking
home from school gave me a serious Halloween vibe. The film contains other homages, but I’ll leave those for
you to discover. These moments
don’t feel cheap or tacked on (well, one does, but it's still effective), but more a director
giving a wink and nod to the films that inspired him.
That’s not to say Sint doesn’t have a few faults, all of
which occur in the final act. Maas
gives us the old ticking bomb, where the countdown doesn’t match up to the action in the film cliché, which could have worked had Maas injected a sly sense of humor into the
moment. And though it seems he
tried, the scene just doesn’t work.
And how the ghost ship is dispatched would seem out of place
in even a Roger Moore Bond flick.
Yep, it’s that impractical and, to add on insult, it’s hinted earlier that
children are alive in the hull of the ship, yet no one attempts to rescue
them. Sure, destroying Sinterklass's ship might be for the greater
good, but still comes off as rather cold hearted.
But, thankfully, the film avoids the clichés of modern
horror films. Frank doesn't have a last minute, I must rescue my girlfriend
scene, and the government conspiracy concerning Sinterklass is left unexposed. Sure, the ending suggests a sequel, as
expected, but the film takes its time developing the characters rather than
delivering a set of cut out, standard Horror clichés. Spending more time with
on the people involved in the tale, rather than the killer and his bloody
spree, makes the film more interesting and the gruesome moments a bit more
intense.
Really, I'm sure she'll be just fine.
Also, it’s interesting that Maas ran afoul of parents, much
like Silent Night, Deadly Night did, regarding its poster. Showing a mutilated and malevolent
looking Sinterklass. Nicam (the Dutch film and TV classification board)
received dozens of complaints that the film’s poster could frighten to younger
children, leading to a request that the poster be removed from theaters and
other public places. Maas successfully
defended the poster, claiming that parents who allowed their children to believe
in Sinterklass could also explain the poster was not the “real” person. Had that happening in the US, one has
to wonder if Silent Night, Deadly Night might have faded into obscurity, rather
than become the Horriday classic it is now, as well as spawn four sequels.
Sint is a rarity in modern Horrorday
cinema. A Christmas horror tale
with no redeeming message at the end, plenty of blood and guts and, well, a
high school class gifting dildos to each other is a combination you won't find in an American horror film anytime soon, let alone one
with an evil Santa.
No comments:
Post a Comment